| Alexander, George, Transits,
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Wagga Wagga City Art Gallery, NSW, 1988 | |
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| Alsop, Roger, 'The Ineluctable Modality of the Audible: Exploring the Sound Worlds of James Joyce’s Ulysses',
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in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003 | |
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| Althoff, Ernie, 'Music Machines',
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NMA, no. 2, 1983, p. 12 | |
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| Althoff, Ernie, 'The Bamboo Orchestra',
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Experimental Musical Instruments, vol. 5, no. 1, 1989, pp. 9-13 | |
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| Altman, Rick, Sound Theory Sound Practice,
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Routledge, New York, 1992 | |
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| Anderson, L. M. et. al., 'Effects of sounds on preferences for outdoor settings',
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Environment and Behavior, vol. 15, no. 5, 1983, pp. 539-566 | |
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| Applebaum, David, Voice,
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State of New York Press, 1990 | |
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| Archee,Ray, 'Art, Culture, Communication & Virtual Reality: A review of the Tisea Symposia',
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Media Information Australia, 68, May, 1993, pp. 93-8 | |
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| Atherton, Michael, Australian made, Australian played: Handcrafted Musical Instruments from Didjeridu to Synthesiser,
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International Specialized Book Services, 1990 | |
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| Attali, Jacques, Noise: The Political Economy of Music,
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University of Minnesota Press, 1985 | |
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| Attali, Jacques, Noise: the Political Economy of Music,
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Manchester Uninersity Press, Manchester, 1994 | |
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| Augaitis, Diana & Dan Lander, Radio Rethink. Art, Sound and Transmission,
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Walter Phillips Gallery, Banff, 1994 | |
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| Australian Sound Design Project (editors), Hearing Place: Sound Art Exploring Place from Around the World,
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Move Records, 2003 | |
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