Australian Sound Design Project Search Results

Australian Sound Design Project
Bibliography

Search Results

340 matches where no search criteria were supplied

Pages: 1

Order by Author | Title | Year [ Ascending | Descending]

1. 'Art and Experimental Music',		[Details]
	Studio International, Nov/Dec, 1976

2. 5000 Calls, Sydney Olympic Park Public Arts Program Catalogue,		[Details]
	Sydney, 2000

3. '5000 Calls',		[Details]
	Chapter Arts Centre Magazine, October, 2002

4. 'Chorus of Approval',		[Details]
	24 Hours, March, 2002

5. r (ed.), r,		[Details]
	r, r edn, r, r of r, r, r, r, r pp, http://hypertext.rmit.edu.au/dac/papers

6. 'Sounds Unlimited: Building the Instruments',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003

7. Reverberant,		[Details]
	www.reverberant.com

8.		[Details]


9. Sonic Research Studio,		[Details]
	http://www.sfu.ca/sonic-studio/srs/

10. Alexander, George, Transits,		[Details]
	Wagga Wagga City Art Gallery, NSW, 1988

11. Alsop, Roger, 'The Ineluctable Modality of the Audible: Exploring the Sound Worlds of James Joyce’s Ulysses',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

12. Althoff, Ernie, 'Music Machines',		[Details]
	NMA, no. 2, 1983, p. 12

13. Althoff, Ernie, 'The Bamboo Orchestra',		[Details]
	Experimental Musical Instruments, vol. 5, no. 1, 1989, pp. 9-13

14. Altman, Rick, Sound Theory Sound Practice,		[Details]
	Routledge, New York, 1992

15. Anderson, L. M. et. al., 'Effects of sounds on preferences for outdoor settings',		[Details]
	Environment and Behavior, vol. 15, no. 5, 1983, pp. 539-566

16. Applebaum, David, Voice,		[Details]
	State of New York Press, 1990

17. Archee,Ray, 'Art, Culture, Communication & Virtual Reality: A review of the Tisea Symposia',		[Details]
	Media Information Australia, 68, May, 1993, pp. 93-8

18. Atherton, Michael, Australian made, Australian played: Handcrafted Musical Instruments from Didjeridu to Synthesiser,		[Details]
	International Specialized Book Services, 1990

19. Attali, Jacques, Noise: The Political Economy of Music,		[Details]
	University of Minnesota Press, 1985

20. Attali, Jacques, Noise: the Political Economy of Music,		[Details]
	Manchester Uninersity Press, Manchester, 1994

21. Augaitis, Diana & Dan Lander, Radio Rethink. Art, Sound and Transmission,		[Details]
	Walter Phillips Gallery, Banff, 1994

22. Australian Sound Design Project (editors), Hearing Place: Sound Art Exploring Place from Around the World,		[Details]
	Move Records, 2003

23. Bachelard, G, The Poetics of Space,		[Details]
	Beacon Press, 1958/1964

24. Ballas, J. & J. Howard, 'Interpreting the Language of Environmental Sounds',		[Details]
	Environment & Behavior, January, 1987

25. Balough, Teresa, A Musical Genius from Australia: Selected Writings by and about Percy Grainger,		[Details]
	Department of Music, University of Western Australia, Perth, 1992

26. Balough,Teresa, A Musical Genius From Australia,		[Details]
	CIRCME, The University of Western Australia, 1982/1997

27. Bandt, Ros, Sounds in Space, Windchimes and Sound Sculptures,		[Details]
	Victorian Arts Council and the Council of Adult Education, Melbourne, 1985

28. Bandt, Ros, 'The Musician and the Machine',		[Details]
	Meanjin, vol. 47, 2, Winter, 1988, pp. 274-281

29. Bandt, Ros, Creative Approaches to Interactive technology in Sound Art,		[Details]
	Deakin University Press, Geelong, Victoria, 1990

30. Bandt, Ros, 'Technology in Australian Sound Installations: Three Recent Approaches',		[Details]
	Electronic Arts In Australia, Continuum, vol. 8, no. 1, 1994, pp. 44-58

31. Bandt, Ros, 'Designing with Chaos, Zeitgleich, Klanginstallation und Medienkomposition im Digitalen Zeitalter',		[Details]
	TRANSIT, Austria, 1995, pp. 53-64 & 158-161

32. Bandt, Ros, 'Grainger’s Free Music and Free Music Machines; A LivingTradition',		[Details]
	Sounds Australian, no. 46, 1995, pp. 4-9

33. Bandt, Ros, 'Sculpting sounds: an introduction to sound sculpture in Australia',		[Details]
	Art and Australia, vol. 32, no. 4, 1995, pp. 536-547

34. Bandt, Ros, 'Sound Sculpture as Play Sculpture',		[Details]
	International Play Journal, no. 3, 1995, pp. 63-79

35. Bandt, Ros, 'Zeitgleich: a sound art event in Austria',		[Details]
	Sounds Australian, 45, Autumn, 1995, pp. 37-40

36. Bandt, Ros, A Garden for Percy's Delight,		[Details]
	1997, http://www.abc.net.au/arts/lroom/gardel.htm

37. Bandt, Ros, 'From Acoustic Ecology to Cyberspace',		[Details]
	Counterpoint, VSMA quarterly journal, February, 1997, pp. 5-13

38. Bandt, Ros, 'Sounding Spaces, Acoustic Worlds: Australian Sound Designs for Public Spaces',		[Details]
	Public Art, no. 22, 2000, pp. 23-26

39. Bandt, Ros, Sound Sculpture, Intersections in Sound and Sculpture In Australian Artworks,		[Details]
	Fine Arts Press, Sydney, 2001

40. Bandt, Ros, 'Hearing Australian Identity: Sites As Acoustic Spaces, An Audible Polyphony',		[Details]
	in Nation and Narration Conference, University of Queensland, St. Lucia, Brisbaine, 2001, http://www.sounddesign.unimelb.edu.au/site/NationPaper/NationPaper.html

41. Bandt, Ros, 'Spatial Counterpoint as a Design Principle in the Australia Gallery',		[Details]
	2002, http://www.iii.rmit.edu.au/sonology/ACMC2002/ACMC2002_Web_Proceedings/007-016_Bandt.pdf

42. Bandt, Ros, Thrausmata,		[Details]
	Move Records, Melbourne, 2003

43. Bandt, Ros, 'Taming the Wind: Aeolian Sound Practices in Australasia',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

44. Bandt, Ros, Stack,		[Details]
	Move Records, http://www.digital-music-archives.com/cgi-bin/dmaweb/store.cgi?Type=product&Product=CDE0028

45. Bandt, Ros, Pillars of Memory,		[Details]
	http://kunstradio.at/ZEITGLEICH/RA/3_bandt.ram

46. Bandt, Ros, 'Voicing the Murray',		[Details]
	http://farben.latrobe.edu.au/mikropol/volume3/bandt-r/bandt.html

47. Bandt, Ros & Sistermanns, Johannes, A Global Garden for Percy,		[Details]
	1997, http://www.abc.net.au/arts/lroom/globgar.htm

48. Bandt, Ros and Garth Paine, 'The Australian Sound Design Project: A Database and Website for a More Considered Acoustic Environment',		[Details]
	in Waveform, Australian Computer Music Conference, School of Contemporary Arts, University of Western Sydney, 2001, http://www.sounddesign.unimelb.edu.au/site/ACMCPaper/ACMCPaper.html

49. Bandt, Ros, 'Experimental Music',		[Details]
	in Warren Bebbington (ed), Oxford Companion to Australian Music, 1997, pp. 206-9

50. Barambah, Maroochy and Ade Kukoyi, 'Protocols for the Use of Indigenous Cultural Material',		[Details]
	in Fitzgerald, A., Fitzgerald, B., Cifuentes, C., and Cook, P. (eds), Going Digital 2000: Legal Issues for E-Commerce, Software and the Internet, Prospect Media, 2002, pp. 133-137

51. Belfrage, Jane, The Great Australian Silence: Inside Acoustic Space,		[Details]
	1994, http://www.sounddesign.unimelb.edu.au/site/papers/AusSilence.html

52. Bell, S.C.D., 'Participatory Art and Computers',		[Details]
	PhD thesis, Loughborough University of Technology, 1991

53. Benjamin, W, Illuminations,		[Details]
	Fontana Collins, London, 1982

54. Benjamin, W., 'The Work of Art in the Age of Mechanical Reproduction',		[Details]
	in Mast, G. & C. Marshall (ed), Film Theory & Criticism, Oxford University Press, New York, 1979, pp. 848-870.

55. Berry, Rodney, 'The World of the Augmented Composer',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003, pp. 10-11

56. Bird, John, Percy Grainger,		[Details]
	Macmillan, Melbourne, 1976

57. Bock, Andrew, 'The Trouble with Public Art',		[Details]
	The Age, 2002

58. Bolleter, Ross, 'Warren Burt, Works for Electronics, Tuning Forks and Video',		[Details]
	Evos, no. 9, 1988, p. 6

59. Bosseur, Jean-Yves, Sound and the Visual Arts, Intersections between Music and Plastic Arts Today,		[Details]
	Dis Voir, Paris, 1993

60. Boyer, M.C., CyberCities,		[Details]
	Princeton Architectural Press, New York, 1996

61. Bregman, A. S., Auditory Scene Analysis: The Perceptual Organisation of Sound,		[Details]
	MIT Press, Cambridge MA, 1993

62. Brewster, M., 'Geneva By-Pass',		[Details]
	in Martin, E. (ed), Architecture as a Translation of Music, 36-40 edn, Princeton Architectural Press, New York, 1994

63. Bright, Colin, 'Defining the Culture',		[Details]
	Sounds Australian, 26, Winter, 1990, pp. 23-24

64. Broadstock, Brenton (ed.), Sound Ideas: Australian Composers Born Since 1950, A Guide to their Music and Ideas,		[Details]
	Australian Music Centre, Sydney, 1995

65. Broastock, Brenton, Sound Ideas,		[Details]
	AMC, Sydney, 1995

66. Brophy, Phil, 'Subculture: the meaning of style',		[Details]
	Art & Text, no. 1, 1981, pp. 67-72

67. Brophy, Phil, 'A Face Without a Place',		[Details]
	Art & Text, no. 16, 1984, pp. 67-72

68. Brophy, Philip, The World of Sound in Film,		[Details]
	AFTRS, Sydney, 1999

69. Brown, Andrew R, Review of Hyperimprovisation: Computer-Interactive Sound Improvisation,		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003, pp. 55-56

70. Brüel, P.V., 'Do We Measure Damaging Noise Correctly',		[Details]
	B & K Technical Review, no. 1, 1976

71. Burt, Warren, 'Instrumental Composition',		[Details]
	Australian Music Centre Journal, no. 9, 1985, pp. 3-15

72. Burt, Warren, 'The 3 DIS System',		[Details]
	Sounds Australian, 19, Spring, 1988, pp. 28-30

73. Burt, Warren, 'Australian Experimental Music 1963-1990',		[Details]
	Leonardo Music Journal, vol. 1, no. 1, 1991, pp. 5-10

74. Burt, Warren, 'Experimental Music in Australia Using Live Electronics',		[Details]
	Live Electronics, ed. Stephen Montague, vol. 6, no. 1, 1991, pp. 159-172

75. Burt, Warren, Writings of a Scarlett Aardvark, 15 Articles on Music and Art,		[Details]
	Frog Peak, Hanover, 1993

76. Burt, Warren, 'Some Musical and Sociological Aspects of Australian Experimental Music 1963-1993',		[Details]
	Sounds Australian, 37, Autumn, 1993, pp. 38-47

77. Burt, Warren, 'What Does It Mean To Be Avant-Garde in the Early 21st Century or, Avant-Gardening in November 1999',		[Details]
	Australian Sound Design Project Website, 1999, http://www.sounddesign.unimelb.edu.au/site/papers/avantGarde.htm

78. Burt, Warren, 'Expanding Contexts for Computer Music: One Composer’s Experience',		[Details]
	Organised Sound, vol. 6, no. 1, 2001, pp. 29-37

79. Burt, Warren, 'Many Environments, Many Paths of Perception',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

80. Butcher, Bleddyn, 'Australian sound artists David Chesworth and Sonia Leber',		[Details]
	The Wire, 233, July, 2003

81. Cage, John, Silence,		[Details]
	Wesleyan University Press, Middletown, 1961

82. Carey, Tristam, 'The Composer and the Machine: A 30 Year Overview',		[Details]
	in Proceedings of the International Music and Technology Conference, Faculty of Music, University of Melbourne, 1981, pp. 219-235

83. Carlsson, Sven E, Sound Design of Star Wars,		[Details]
	http://hem.passagen.se/filmljud/starwars.htm

84. Carroll, Mark and Gillies Malcolm (eds), 'Percy Grainger',		[Details]
	Australasian Music Research, vol. 5, 2001

85. Carter, Paul, 'Acoustic Futures: Sound Noise and Urban Design',		[Details]
	Artlink, vol. 11, no. 4, 1991/2, pp. 12-13

86. Carter, Paul, The Sound In Between,		[Details]
	NSW University Press and New Endeavour Press, Sydney, 1992

87. Carter, Paul, Living in a New Country,		[Details]
	Faber and Faber, London, 1992

88. Carter, Paul, 'Performing History Hyde Park Barracks',		[Details]
	Transition, no. 36/37, 1992, pp. 8-19

89. Carter, Paul, 'Speaking Pantomimes:Notes on The Calling to Come',		[Details]
	Leonardo Music Journal, vol. 6, 1997, pp. 95-98

90. Carter, Paul, 'Ambiguous Traces: Mishearing and Auditory Space',		[Details]
	in Hearing Culture: New Directions in Anthropology of Sound, International Sympoium no.129, Wenner-Gren Foundation for Anthropological Research, 2001, http://www.sounddesign.unimelb.edu.au/site/papers/mishearing.html

91. Carter, Paul, 'Desire of Dialogue: Radio Writing and EnvironmentalSound',		[Details]
	in Martin Thomas (ed), Uncertain Grounds: Essays Between Art & Nature, Art Gallery of NSW, Sydney, 1997, pp. 143-159

92. Chadabe, Joel, Electronic Sound: The Past and Promise of Electronic Music,		[Details]
	Prentice-Hall, New Jersey, 1997, 370 pp

93. Chanan, M., Repeated Takes: A short history of recording and its effects on music,		[Details]
	Verso, 1995

94. Chesworth, David and Sonia Leber, '5000 Calls',		[Details]
	Earshot: Journal of the UK & Ireland Soundscape Community, No. 2, 2001

95. Chris Mann and the Impediments, Chris Mann and the Impediments,		[Details]
	OO Discs, New York, 1995

96. Chris Mann and the Use, Chris Mann and the Use,		[Details]
	Lovely Music, New York, 2001

97. Clark, Graeme, Sounds from Silence: Graeme Clark and the Bionic Ear Story,		[Details]
	Allen & Unwin, Sydney, 2000

98. Cleland, Kathy (ed.), 'E-Volution of New Media',		[Details]
	Artlink, vol. 21, no. 3, 2001

99. Clemen, Hannah, 'Playing from Within',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003, pp. 14-17

100. Clouter, Isobel, 'Archiving the Soundscape',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

101. Clunies Ross, Bruce, 'Percy Grainger in His Letters',		[Details]
	Meanjin, vol. 47, no. 2, 1988, pp. 233-242

102. Clunies Ross, Margaret, 'Ancestral Songs: Understandings of Aboriginal Song Since 1788',		[Details]
	Proceedings of the Academy of the Humanities, 1998, pp. 94-113

103. Contemporary Sound Arts (ed.), Essays in Sound,		[Details]
	vol. 1, 1992

104. Contemporary Sound Arts, Essays in Sound,		[Details]
	in Technophonia, 1995, http://x.autonomous.org/soundsite/csa/eis2content/

105. Coyle, Rebecca, 'Radio Speleology: Mapping the Radio Cave',		[Details]
	Independent Media, 101-102, July-August, 1990

106. Coyle, Rebecca, 'Sound and Speed in Convocation: An Analysis of The Listening Room Radio Programs on Paul Virilio',		[Details]
	Continuum, vol. 6, no. 1, 1992

107. Coyle, Rebecca (ed.), Sound in Space: Adventures in Australian Sound Art,		[Details]
	Museum of Contemporary Art, Sydney, 1995

108. Coyle, Rebecca (ed.), 'Sound Music Noise – Music and Sound Art in Australia',		[Details]
	Sounds Australian Journal of Australian Music, 45, Autumn, 1995

109. Coyle, Rebecca (ed.), 'More Than Meets The Eye – Music and Sound Performance, Perception and Interactivity',		[Details]
	Convergence, The Journal of Research in New Media Technologies, vol. 3, 4 Winter, 1997

110. Coyle, Rebecca (ed.), Screen Scores: Studies in Contemporary Australian Film Music,		[Details]
	Australian Film, Television and Radio School, Sydney, 1998

111. Coyle, Rebecca, 'Digitising the Wireless: Observations from an Experiment in Internet Radio',		[Details]
	Convergence The Journal of Research into New Media Technologies, vol. 6, no. 3, 2000

112. Coyle, Rebecca, 'Calling Australia Home: Australian Film Music',		[Details]
	in IASPM Conference Proceedings, University of Technology, Sydney, 2000

113. Coyle, Rebecca, 'Scoring Australia. Film Music and Australian Identities in Young Einstein, Strictly Ballroom and The Adventures of Priscilla, Queen of the Desert',		[Details]
	PhD thesis, Centre for Critical and Cultural Studies, Macquarie University, Sydney, 2002

114. Coyle, Rebecca & Jackey Coyle, 'Aloha Australia: Hawaiian Music in Australia',		[Details]
	Perfect Beat: The Pacific Journal of Research Into Contemporary Music and Popular Culture, vol. 2, no. 2, 1995

115. Coyle, Rebecca, 'Speaking Strine: Locating ‘Australia’ in Film Dialogue',		[Details]
	in Brophy, P (ed), Cinesonic: Experiencing the Soundtrack, AFTRS, Sydney, 2000

116. Cross, Burnett, 'Collaborating with Percy Grainger',		[Details]
	New Music Articles, no. 7, 1989, pp. 3-4

117. Dennis, Elwyn, 'Clouds',		[Details]
	Sounds Australian, 26, Winter, 1990, pp. 25-26

118. Dilkes, Helen, Jan Deans & Robert Brown, 'A Sense of Place: An Investigation of Sound with Young Children',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

119. Doane, M. A., 'The Voice in the Cinema: The articulation of body and space',		[Details]
	in Weis, E. & J. Belton (ed), Film Sound, Columbia University Press, New York, 1985

120. Doornbusch, 'Instruments from Now into the Future: the Disembodied Voice',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, pp. 18-21

121. Doornbusch, Paul, 'The Music of CSIRAC',		[Details]
	in Waveform 2001, Australian Computer Music Conference, School of Contemporary Arts, University of Western Sydney, 2001

122. Dreyfus, Kay and Janice Whiteside, 'Percy Grainger and Australia',		[Details]
	Meanjin, vol. 41, 2, June, pp. 155-171

123. Duffy, Michelle, 'Australian Soundscapes: The Connections Between Music, Place, and Identity',		[Details]
	Australian Studies, vol. 15, no. 1, 2000, pp. 111-122

124. Dyson, Fran, 'Circuits of the Voice: From Cosmology to Telephony',		[Details]
	Essays in Sound, 1992, pp. 23-35

125. Eckel, G., 'Camera Musica: Virtual Architecture as Medium for the Exploration of Music',		[Details]
	Proceedings of the 1996 International Computer Music Conference, 1996

126. Eisenberg, Evan, The Recording Angel: Music Records and Culture from Aristotle to Zappa,		[Details]
	Picador, London, 1988

127. Evans, Nicholas and David Wilkins, 'In the Mind's Ear: The Semantic Extensions of Perception Verbs in Australian Speech',		[Details]
	Language, vol. 76, no. 3, 2000, pp. 546-592

128. Feld, Stephen, 'Sound Structure as Social Structure',		[Details]
	Ethnomusicology, vol. 28, no. 3, 1990, pp. 383-409

129. Feld, Stephen, Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression,		[Details]
	University of Philadelphia Press, Philadelphia, 1992

130. Felicity Fenner, 'Ground Work',		[Details]
	Art in America, May, 2001

131. Ferrington, G., 'Keep Your Ear-Lids Open',		[Details]
	Journal of Visual Literacy, vol. 14, no. 2, 1994, pp. 51-61

132. Findlay, Merrill, 'You’ve just got to be daring: Les Gilbert and the ATEA/Telecom Residency',		[Details]
	AMC News, 10, Summer, 1985, pp. 16-18

133. Fraietta, Angelo, 'Smart Budgeting for a Smart Controller.',		[Details]
	in Waveform 2001: the Australasian Computer Music Conference, University of Western Sydney, Sydney, Australia, 2001, http://www.users.bigpond.com/angelo_f/smartcontroller/SmartBudgetingForASmartController.pdf

134. Fraietta, Angelo, 'Smart Controller -- Artist Talk',		[Details]
	in Form, Space, Time: The Australasian Computer Music Conference, Royal Melbourne Institute of Technology, 2002, http://www.iii.rmit.edu.au/sonology/ACMC2002/ACMC2002_Web_Proceedings/149-152_Fraietta-AT.pdf

135. Fraietta, Angelo, 'Incremental Sound Installation Development Using the Smart Controller',		[Details]
	in Converging Technologies: The Australasian Computer Music Conference, Western Australian Academy of Performing Arts, Edith Cowan University, 2003, http://acmc.waapa.ecu.edu.au/036-042Fraietta.pdf

136. Fraietta, Angelo, 'The Smart Controller - Shifting Performance Boundaries',		[Details]
	Boundaryless Music:The International Computer Music Conference, 2003, http://www.users.bigpond.com/angelo_f/smartcontroller/boundaries.htm

137. Franklin, U., 'Silence and the Notion of the Commons',		[Details]
	Soundscape, The Journal of Acoustic Ecology, vol. 1, no. 2, 2000, pp. 14-17

138. Frayne, Nigel, 'Another New Frontier?',		[Details]
	Chroma, 22, March, 1997, pp. 2-3

139. Frog Peak Music, Warren Burt,		[Details]
	http://www.frogpeak.org/fpartists/fpburt.html

140. Frog Peak Music, Graham Gerrard, Chroma		[Details]


141. Frog Peak Music, Alan Lamb,		[Details]
	http://www.frogpeak.org/fpartists/fplamb.html

142. Frog Peak Music, Chris Mann,		[Details]
	http://www.frogpeak.org/fpartists/fpmann.html

143. Frog Peak Music, Ron Nagorcka,		[Details]
	http://www.frogpeak.org/fpartists/fpnagorcka.html

144. Frog Peak Music, New Music Articles,		[Details]
	http://www.frogpeak.org/fpartists/fpnma.html

145. Gallon, Ray, 'The Destruction of Acoustic Specificity by Amplified Sound',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

146. Game, Ann, 'Time, Space, Memory with Reference to Bachelard',		[Details]
	in Mike Featherstone, Scott Lash and Roland Robertson (eds), Global Modernities, Sage Publications, London, 1995, pp. 192-209

147. Gawronski, Alex, 'Game Over? The Olympics Arts Commissions',		[Details]
	Real Time, 40, December, 2000

148. Geczy, Adam & Benjamin Genocchio (ed.), What Is Installation?: An Anthology of Writings on Australian Installation Art,		[Details]
	Power Publications, Sydney, 2001, 327 pp

149. Gelhaar, Rolf, 'SOUND =SPACE: An Interactive Musical Environment',		[Details]
	Contemporary Music Review, vol. 6, no. 1, 1991, pp. 59-72

150. Genocchio, Benjamin, 'On Edge of the Trees',		[Details]
	Agenda, 44-45, October, 1995, pp. 35-38

151. Gertsakis, Elizabeth, 'Nigel Helyer',		[Details]
	in The Australian Bicentennial Perspecta, Art Gallery of New South Wales, 1987, pp. 36-43

152. Gibson, J.J, The Senses Considered as Perceptual Systems,		[Details]
	Houghton Mifflin, Boston, MA, 1966

153. Gibson, L. and T. O’Regan (eds), 'Culture: Development, Industry, Distribution',		[Details]
	Media International Australia, 102, February, Media International Australia, 2002

154. Gibson, Lisanne, 'Art, Citizenship and Government: Art for the People in New Deal America and the 1940s in England and Australia',		[Details]
	Culture and Policy, vol. 8, no. 3, 1997, pp. 41-56

155. Gibson, Lisanne, The Uses of Art: Constructing Australian Identities,		[Details]
	University of Queensland Press, Brisbane, 2001

156. Gibson, Lisanne, 'The Real Business of Life: Art and Citizenship during the Australian Post-War Reconstruction',		[Details]
	Cultural Studies Review (formerly UTS Review), vol. 8, 1, May, 2002, pp. 45-58

157. Gibson, Lisanne, 'Creative Industries and Cultural Development: Still the Janus Face?',		[Details]
	Culturelink Special Issue 2001: Convergence, Creative Industries and Civil Society, The New Cultural Policy, 2002, pp. 99-110

158. Gibson, Lisanne, An Eccentric History of Queensland Public Art,		[Details]
	University of Queensland Press, Brisbane, 2003 (forthcoming)

159. Goodey, B., Images of place: Essays on environmental perception, communications and education,		[Details]
	University of Birmingham, Centre for Urban and Regional Studies, Birmingham, England, 1974

160. Graeme Leak, Performance Making: A Manual for Music Workshops,		[Details]
	Currency Press, Sydney, 2003, 160 pp

161. Grayson, John (ed.), Sound Sculpture: A Collection of Essays by Artists Surveying theTechniques, Applications, and Future Directions of Sound Sculpture,		[Details]
	ARC, Vancouver, 1975

162. Grayson, John, Environments of Musical Sculpture You Can Build,		[Details]
	Vancouver Aesthetic Research Centre, Vancouver, 1976

163. Grayson, John (ed.), Sound Sculpture: A Collection of Essays by Artists,		[Details]
	ARC, Canada, 1979

164. Handel, S., Listening,		[Details]
	MIT Press, 1989

165. Hardiman, Robin, 'Ceramic Amphitheatre',		[Details]
	This Australia, Autumn-March, 1987, pp. 62-3

166. Harrison, Martin, 'Three WorksFrom Memory',		[Details]
	Continuum, vol. 6, no. 1, 1992, pp. 148-61

167. Hasell, Anton and Neil McLachlan, 'The Secular Bell',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

168. Hayles, N.K., 'Embodied Virtuality: Or How To Put Bodies Back into the Picture',		[Details]
	in Moser, M. & D. MacLeod (ed), Immersed in Technology, MIT Press, Cambridge, 1996, pp. 1-28

169. Hedfors, Per, 'Sonic Tools for Landscape Architecture',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

170. Helyer, Nigel, 'No Techno Babble',		[Details]
	State of the Arts, August/November, 1997, p. 12

171. Hillier, Bill, Space is the Machine: A Configurational Theory of Architecture,		[Details]
	Cambridge University Press, London, 1996

172. Hinterding, Joyce, Spectral,		[Details]
	Antiopic, 2003, http://www.antiopic.com/catalog/ansi001.html

173. Hiramatsu, Kozo, 'The Idea of Soundscapegraphy and Its Description of Old Town of Kyoto with Gion Festival',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

174. Hocking, Catherine, 'Sound Installation: In Search of an Analytical Method of Documentation',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

175. Holtzman, Stephenn R., Digital Mantras: The Languages of Abstract and Virtual Worlds,		[Details]
	MIT Press, Cambridge MA, 1994

176. Hopkins, Sarah, 'Whirly Instruments',		[Details]
	Experimental Musical Instruments, vol. 3, 1990, pp. 11-13

177. Hétu, R., 'The Hearing Conservation Paradigm and the Experienced Effects of Occupational Noise Exposure',		[Details]
	Canadian Acoustics, vol. 22, no. 1, 1994, pp. 3-19

178. Ihde, D. & T. Slaughter, 'Studies in the Phenomenology of Sound: Listening',		[Details]
	International Philosophical Journal, no. 10, 1970

179. Imada, Tadahiko, 'Acoustic Ecology Considered as a Connotation: Semiotic, Post-colonial and Educational Views of Soundscape',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

180. Jackson, Mark, 'Raft: Ruark Lewis and Paul Carter',		[Details]
	Agenda, 44/45 October, 1995, pp. 39-40

181. James, Bruce, The Master’s Voice,		[Details]
	Interview on Arts Today, ABC Radio National, 2001

182. Jarviluoma, Helmi (ed.), Soundscapes: Essays on Vroom and Moo,		[Details]
	Department of Folk Tradition, Institute of Rhythm Music, Tampere, Finland, 1994

183. Jenkins, J & Rainer Linz, Arias: Recent Australian Music Theatre,		[Details]
	Redhouse Editions, Melbourne, 1997

184. Jenkins, John, 22 Contemporary Australian Composers,		[Details]
	NMA Publications, Melbourne, 1988

185. Jenkins, John, 'New Wine, New Bottles',		[Details]
	Meanjin, no. 2, 1988, pp. 243-252

186. John, Trevor, 'The Newcastle Soundscape Project',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

187. Johnson, Anna and Ken Unsworth, 'Through a Glass Darkly',		[Details]
	The Art Gallery of New South Wales, Inaugural Guiness Contemporary Art Project, 1995, pp. 43-51

188. Johnson, Bruce, 'Writing Noise; Noisy Writing: The Eyes No Longer Have To Do Their Work',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

189. Jordan, Teresa, 'Arts to Ashes',		[Details]
	Artlink, vol. 11, no. 4, 1991/2, pp. 90-91

190. Kahn, Douglas, 'Acoustic Sculpture, Deboned Voices',		[Details]
	New Music Articles, no. 8, 1990, pp. 3-7

191. Kahn, Douglas, 'Crash! Splash! Colliding and Colluding Arts',		[Details]
	Agenda, 41, March, 1995, pp. 43-48

192. Kahn, Douglas, 'Lyre's Island: Australian Sound Art and New Music',		[Details]
	Leonardo Music Journal, no. 6, 1996

193. Kahn, Douglas, Noise, Water, Meat: A History of Sound in the Arts,		[Details]
	MIT Press, Cambridge MA, 1999

194. Kahn, Douglas and Gregory Whitehead, Wireless Imagination: Sound,Radio and the Avant-garde,		[Details]
	MIT Press edn, Cambridge MA, 1992

195. Karlsson, H., 'The Acoustic Environment as a Public Domain',		[Details]
	Soundscape, vol. 1, no. 2, 2000, pp. 10-13

196. Karlsson, Henrik, 'The Acoustic Environment as a Public Domain',		[Details]
	Journal of Acoustic Ecology, vol. 1, no. 2, 2000, pp. 10-13

197. Karlsson, Henrik, 'The Acoustic Environment as a Public Domain',		[Details]
	Soundscape: The Journal of Acoustic Ecology, vol. 1, 2, Winter, 2000

198. Kato, Sawako, 'Soundwalk, Digital Media, and Sound Art',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

199. Kemp, Senator Rod, Australia Council New Media Arts Board Appointment,		[Details]
	Australian Government: Department of Communications, Information Technology and the Arts, 2003, http://www.dcita.gov.au/Article/0,,0_1-2_15-4_116573,00.html

200. Kettle, Andrew, Fading,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1946&Stream=56&File=Test.asx

201. Kettle, Andrew, Fading,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1946&Stream=96&File=Test.asx

202. Kettle, Andrew, Digilogue,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2064&Stream=56&File=Test.asx

203. Kettle, Andrew, Digilogue,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2064&Stream=96&File=Test.asx

204. Kettle, Andrew, Gratings,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1948&Stream=56&File=Test.asx

205. Kettle, Andrew, Gratings,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1948&Stream=96&File=Test.asx

206. Kettle, Andrew, Kettle,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2066&Stream=56&File=Test.asx

207. Kettle, Andrew, Kettle,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2066&Stream=96&File=Test.asx

208. Kettle, Andrew, Lotto,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1949&Stream=56&File=Test.asx

209. Kettle, Andrew, Lotto,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1949&Stream=96&File=Test.asx

210. Kettle, Andrew, Submissions,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3283&Stream=56&File=Test.asx

211. Kettle, Andrew, Submissions,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3283&Stream=96&File=Test.asx

212. Kettle, Andrew, The Interview Disc,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3664&Stream=56&File=Test.asx

213. Kettle, Andrew, The Interview Disc,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3664&Stream=96&File=Test.asx

214. Kettle, Andrew, This Is …,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2067&Stream=56&File=Test.asx

215. Kettle, Andrew, This Is …,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=2067&Stream=96&File=Test.asx

216. Kettle, Andrew, Vynal Anus,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3528&Stream=56&File=Test.asx

217. Kettle, Andrew, Vynal Anus,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=3528&Stream=96&File=Test.asx

218. Kettle, Andrew, Warmfeed,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=5308&Stream=56&File=Test.asx

219. Kettle, Andrew, Warmfeed,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=5308&Stream=96&File=Test.asx

220. Kettle, Andrew, With MyLeft Eye Closed …,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1947&Stream=56&File=Test.asx

221. Kettle, Andrew, With MyLeft Eye Closed …,		[Details]
	http://www.mp3.com.au/PlayAlbumASX.ASP?id=1947&Stream=96&File=Test.asx

222. Kevin Murray (curator), Water Medicine,		[Details]
	John Curtin Gallery, http://kitezh.com/watermedicine/artists/bandt.htm

223. Krause, B. L., 'The niche hypothesis: A hidden symphony of animal sounds, the origins of musical expression and the health of habitats',		[Details]
	Explorers Journal, vol. 71, no. 4, 1993, pp. 156-160

224. Kruth, P. & H. Stobart (ed.), Sound,		[Details]
	Cambridge University Press, 2000

225. Kubisch, K., 'About my Installations',		[Details]
	in Lander, D. & M. Lexier (ed), Sound by Artists, Art Metropole, Banff, 1990, pp. 69-72

226. Lamb, Alan, Journeys on the Winds of Time,		[Details]
	New Albion, USA, 1990

227. Lamb, Alan, Primal Images: Archival Recordings 1981-1988,		[Details]
	Dorobo Records, 1995

228. Lamb, Alan, Night Passage,		[Details]
	Dorobo Records, 1998

229. Lander, Dan and Micah Lexier (eds), Sound by Artists,		[Details]
	Art Metropole, Walter Phillips Gallery, Toronto, 1990

230. Leber, Sonia & David Chesworth, '5000 Calls',		[Details]
	Earshot Soundscape Journal, December, 2001

231. Linz, Rainer, 'An Interview with Stelarc',		[Details]
	NMA, no. 10, 1992, pp. 21-26

232. Linz, Rainer, 'The Free Music Machines of Percy Grainger',		[Details]
	Experimental Musical Instruments, June, 1997, pp. 10-12

233. Lynn, Victoria, 'The Art of the Screen in Australia',		[Details]
	Art & Australia, vol. 40, 4, Winter, 2003, pp. 584-593

234. MacGregor, Tony, 'Stelarc and the Carnivalesque',		[Details]
	Agenda, 44/45, October, 1995, pp. 52-53

235. MacGregor, Tony, The Persuaders,		[Details]
	Australian Centre for the Moving Image, Melbourne, 2003

236. Machine for Making Sense, Talk is Cheap,		[Details]
	Split, Sydney, 1997

237. Machine for Making Sense, Consciousness,		[Details]
	Split, Sydney, 1999

238. Mann, Chris, Words & Classes,		[Details]
	Outback Press, Melbourne, 1978

239. Mann, Chris, doin 2s,		[Details]
	phon'm, Melbourne, 1982

240. Mann, Chris, Word for Word,		[Details]
	Christine, New York, 1983

241. Mann, Chris, Subjective Beats Metaphor,		[Details]
	NMA, Melbourne, 1985

242. Mann, Chris, da-dum,		[Details]
	NMA, Melbourne, 1987

243. Mann, Chris, Birth of Peace,		[Details]
	1990

244. Mann, Chris, Chris Mann and Grammar,		[Details]
	Lingua, Iowa City, 1991

245. Mann, Chris, 'A Viewpoint on Telematics and Sound',		[Details]
	Essays in Sound, 1992, pp. 83-89

246. Mann, Chris, On Second Thoughts,		[Details]
	Tall Poppies, Sydney, 1994

247. Mann, Chris, Working Hypothesis,		[Details]
	Station Hill, Barrytown, 1998, 64 pp

248. Manne Chris, The Rationales,		[Details]
	NMA, Melbourne, 1986

249. Marsh, Anne, Body and Self: Performance Art in Australia, 1969-92,		[Details]
	OUP, Melbourne, 1993

250. McGillick, Paul, 'The Private Art of Ken Unsworth',		[Details]
	The Australian Bicentennial Perspecta, 1987, pp. 125-131

251. McGillick, Paul, 'Accomodating Art',		[Details]
	State of the Arts, August/November, 1997, p. 13

252. McLachlan, N. M and D. Cabrera, 'Calculated Pitch Sensations For New Musical Bell Designs',		[Details]
	in ICMPC 7, University of Western Sydney, 2002

253. McLachlan, Neil, 'Finite Element Analysis and Gong Acoustics',		[Details]
	Acoustics Australia, vol. 25, no. 3, 1997, pp. 103-107

254. McLachlan, Neil, 'Acoustic Quality in Musical Instrument Design',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003, pp. 34-36

255. McLennan, Andrew, 'A Brief Topography of Australian Sound Art and Experimental Broadcasting',		[Details]
	in Nicholas Zurbrugg (ed), Electronic Arts In Australia, Continuum Vol 8, No. 1, 1994

256. Mckew, Maxine, 'Jonathan Mills',		[Details]
	Bulletin EdDesk Article: Lunch with Maxine Mckew, vol. 119, no. 43, http://bulletin.ninemsn.com.au/bulletin/eddesk.nsf/0/CB1F0BCC8E814835CA256ADE00724023

257. Merlau-Ponty, M., Phenomenology of Perception,		[Details]
	Routledge & Kegan Paul, London, 1962

258. Metz, C., 'Aural Objects',		[Details]
	in Weis, E. & J. Belton (ed), Film Sound, Columbia University Press, 1985

259. Meyer Sound, Meyer Sound Fills Federation Square Inside and Out,		[Details]
	http://www.meyersound.com.au/fedsquare.shtm

260. Miller, Toby (ed.), 'Radio-Sound',		[Details]
	Continuum: The Australian Journal of Media & Culture, Sydney, vol. 6, no. 7, 1992

261. Miller, W., 'Silence in the Contemporary Soundscape',		[Details]
	Soundscape, The Journal of Acoustic Ecology, vol. 1, no. 2, 2000, pp. 18-19

262. Milliman, R., 'The Influence of Background Music on the Behavior of Restaurant Patrons',		[Details]
	Journal of Consumer Research, no. 13, 1986

263. Moore, Stephan and Scott Smallwood, 'Street Re-Performance: Practicing Realtime Soundscape Composition',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

264. More, Gregory, Lawrence Harvey, Jules Moloney, Mark Burry, 'Implementing Nonlinear Sound Strategies within Spatial Design: Learning Sound and Spatial Design within a Collaborative virtual Environment',		[Details]
	DAC - Melbourne (Digital Arts and Culture Conference), 2003

265. Morse, Peter, 'On Simon Crosbie and Joyce Hinterding',		[Details]
	Agenda, no. 41, 1995, pp. 49-50

266. Mott, Iain, 'A New Method for Interactive Sound Spatialisation',		[Details]
	International Computer Music Conference, 1996

267. Mott, Iain, 'Sound Mapping: An Assertion of Place',		[Details]
	Interface, 1997

268. Mott, Iain, 'The Talking Chair: Notes on a Sound Sculpture',		[Details]
	Leonardo, vol. 28, no. 1, MIT Press

269. Murphie, A., 'Negotiating Presence: Performance and New Technologies',		[Details]
	in Hayward, Philip (ed), Culture Technology and Creativity, 209-206 edn, John Libbey and Company, London, 1990

270. Nakano, O, Media People: The Structure of Communication Revolution,		[Details]
	Keisou Shobou, Tokyo, 1997

271. Nettl, B, 'Ethnomusicology: Definitions, Directions and Problems',		[Details]
	in Musics of Many Cultures, University of California Press, USA, 1980, pp. 1-9

272. Nishimura, Atsushi, 'A Tiny Field for Soundscape Design: A Case Study of Soundscape Museum in Hirano, Osaka',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

273. Noble, Michael, 'Noise in a Silent Field: Speculative Engagement With Noise in Ecological Contexts',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

274. Noble, W., 'The Evaluation of Disability and Handicap in Noise-Induced Hearing Loss',		[Details]
	Canadian Acoustics, vol. 19, no. 2, 1991, pp. 23-26

275. Norman, Anne, 'Power Pole Bells and the Bell Garden',		[Details]
	Sounds Australian: Journal of the Australian Music Centre, no. 62, 2003, pp. 38-39

276. Packer, Randall & Ken Jordan (ed.), Multimedia: From Wagner to Virtual Reality,		[Details]
	W.W. Norton & Company, Inc., New York, 2001

277. Paine, Garth, 'Reeds',		[Details]
	Organised Sound, vol. 8, no. 2, 2003

278. Patton, Jason, 'Enhancing the Experience of Soundscape Through Psychotropic Sound Design',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

279. Pavasaris, Sue, 'Brisbane’s Sound Sculpture: A New Direction in the UrbanLandscape',		[Details]
	Landscape Australia, no. 2, p. 164

280. Penny, Simon, 'Artistic Practice, Body Knowledge and the Engineering World View , Memesis, the Future of Evolution',		[Details]
	in Ars Electronica Festival 1996 Compendium, 190-208 edn, Springer, Wien, 1996

281. Polansky, L., 'Live Interactive Computer Music in HMSL, 1984-1992',		[Details]
	Computer Music Journal, vol. 18, no. 2, 1994, p. 59

282. Porteous, J.D., 'Soundscape',		[Details]
	in Landscapes of the Mind, University of Toronto Press, 1990

283. Porteous, J.D. & J.F. Mastin, 'Soundscape',		[Details]
	Journal of Architectural Planning Research, no. 2, 1985

284. Pressing, Jeff, 'Some Perspectives on Performed Sound and Music in Virtual Environments',		[Details]
	Presence, vol. 6, no. 4, 1997, pp. 482-503

285. Price, A.J., 'Community Noise Survey of Greater Vancouver',		[Details]
	Journal of the Acoustical Society of America, vol. 52, no. 2, 1972

286. R. M. Schafer, ed, World Soundscape Project. The Music of the Environment Series,		[Details]
	ARC Publications, Vancouver, British Columbia, 1973-1978

287. Radok, Stephanie, 'Sympathetic Resonance: Making the Invisible Visible : Women in Sculpture 1993',		[Details]
	Artlink, vol. 13, no. 2, 1993, pp. 36-39

288. Ranft, R, 'Capturing and Preserving the Sounds of Nature',		[Details]
	in Aural History: Essays On Recorded Sound, The British Library, 2001, pp. 65-78

289. Rasmussen, Steen Eiler, Experiencing Architecture,		[Details]
	MIT Press, Cambridge MA, 1964

290. Redstrom, J., Is Acoustic Ecology About Ecology?: Reflections on the International Conference on Acoustic Ecology "Stockholm, Hey Listen" 1998,		[Details]
	1998, http://www.viktoria.se/groups/play/publications/1998/ecology.pdf

291. Regnier, Philipe, 'Art and the Olympics',		[Details]
	The Art Newspaper, 105, July, 2000

292. Riddell, Alistair, 'The Computer-Controlled Piano: New Instrument, New Performer',		[Details]
	New Music Articles (NMA), no. 1, 1981, pp. 6-10

293. Rohrmann, Bernd, 'Soundscapes in Restaurants',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

294. Rose, Jon, 'Improvisation, Sport & Evoution',		[Details]
	in Memesis: The Future Of Evolution, Ars Electronica Festival 1996, Springe, Wien, 1996, pp. 94-101

295. Rosen, S., 'Presbycusis Study of a Relatively Noise-Free Population in the Sudan',		[Details]
	American Otological Society, 1962

296. Royster, J. & L., & Clark, W., 'Amplified Music (from stereo headsets) and its Effect on Hearing',		[Details]
	Hearing Instruments, vol. 41, no. 10, 1990, pp. 28-30

297. Ryan, Phillip, 'Some Monuments for a Critical History of Music, Sound Generation and Transmission',		[Details]
	Essays in Sound, 1992, pp. 104-8

298. Sasaki, A, Technoise Materialism,		[Details]
	Seidosha, Tokyo, 2001

299. Schafer, R. M., The New Soundscape,		[Details]
	Universal Edition, Vienna, 1969

300. Schafer, R. M., The Book of Noise,		[Details]
	Price, Milburn, Wellington, New Zealand, 1970

301. Schafer, R. M., The Music of the Environment,		[Details]
	Universal Edition, Vienna, 1973

302. Schafer, R. M., The Thinking Ear,		[Details]
	Arcana Editions, Toronto, Ontario, 1986

303. Schafer, R. M. & H. Järviluoma (ed.), Northern Soundscapes, Yearbook of Soundscape Studies,		[Details]
	University of Tampere, Finland, 1998

304. Schafer, R. Murray, The Tuning of the World: Toward a Theory of Soundscape Design,		[Details]
	Knopf, New York, 1977

305. Schafer, R.M., Voices of Tyranny, Temples of Silence,		[Details]
	Arcana Editions, Toronto, Ontario, 1993

306. Simon Fraser University, World Soundscape Project Tape Library,		[Details]
	http://www.sfu.ca/sonic-studio/srs/index2.html

307. Smith, Bruce, The Acoustic World of Early Modern England,		[Details]
	University of Chicago Press, Chicago & London, 1999

308. Smith, C., 'The Acoustic Experience of Place',		[Details]
	The Tuning of the World Conference, 1993

309. Southworth, M., 'The Sonic Environment of Cities',		[Details]
	Environment and Behavior, vol. 1, no. 1, 1969

310. Sturgeon, G., The Development of Australian Sculpture 1788-1975,		[Details]
	Thames and Hudson, London, 1978

311. Thompson, Emily, The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933,		[Details]
	MIT Press, Cambridge, Massachusetts, 2002, 500 pp

312. Tofts, Darren, Annemarie Jonson and Alessio Cavallaro (eds), Prefiguring Cyberculture: An Intellectual History,		[Details]
	MIT Press, 2003, 328 pp

313. Torigoe, K., A Study of the World Soundscape Project,		[Details]
	York University, Toronto, 1982

314. Torigoe, Keiko, 'Insights Taken from Three Visited Soundscapes In Japan',		[Details]
	in Acoustic Ecology: An International Symposium, World Forum for Acoustic Ecology, Melbourne, 2003

315. Truax, B., 'Electroacoustic Music: The Inner and Outer World',		[Details]
	in Companion to Contemporary Musical Thought, vol. 1, Routledge, 1992

316. Truax, B., 'Soundscape, Acoustic Communication and Environmental Sound Composition',		[Details]
	Contemporary Music Review, vol. 15, no. 1, 1996, pp. 49-65

317. Truax, B., 'Acoustic Communication Studies at Simon Fraser University',		[Details]
	Soundscape, The Journal of Acoustic Ecology, vol. 2, no. 2, 2001, pp. 11-15

318. Truax, B., 'Genres and techniques of soundscape composition as developed at Simon Fraser University',		[Details]
	Organised Sound, vol. 7, no. 1, 2002, pp. 5-14

319. Truax, Barry, Handbook of Acoustic Ecology,		[Details]
	ARC Publications, Vancouver, 1978

320. Truax, Barry, 'Listening and the Electroacoustic Community',		[Details]
	in Ganzohr Symposium, Hessiche Rundfunk, Kassel, Germany, 1997, http://www.sfu.ca/~truax/ganzohr.html

321. Truax, Barry, Acoustic Communication,		[Details]
	2nd edn, Ablex Publishing, Westport, CT, 2001

322. Various, Frog Peak Collaborations Project,		[Details]
	Frog Peak, 1997

323. Wagstaff, G., 'What is Acoustic Ecology's Ecology',		[Details]
	Soundscape Newsletter, no. 9, 1999

324. Weis, Elisabeth and John Belton (eds), Film Sound: Theory and Practice,		[Details]
	Colombia University Press, New York, 1985

325. Westerkamp, H., The New Museum of Anthropology in Vancouver - An Acoustic Dump,		[Details]
	1976 (revised 1980)

326. Westerkamp, H., 'The Soundscape On Radio',		[Details]
	in Augaitis, D. & D. Lander (ed), Radio Rethink, Walter Phillips Gallery, Banff, Canada, 1994

327. Westerkamp, H., 'Listening and Soundmaking: A Study of Music-as-Environment',		[Details]
	in Lander, D. & M. Lexier (ed), Sound by Artists, 227-234 edn, Art Metropole, Banff, 1990

328. Westerkamp, Hildegard, 'The Local and Global "Language" of Environmental Sound',		[Details]
	Sound Escape: An International Conference on Acoustic Ecology, 2000, http://www.sfu.ca/~westerka/writings/localglobal.html

329. Whitelaw, Mitchell, 'Sit, Ubu, Sit. Good Dog',		[Details]
	Real Time, 46, December, 2001

330. Winikoff, Tamara (ed.), Places not Spaces: Placemaking in Australia,		[Details]
	Envirobook Publishing, Sydney, 1995

331. Wishart, Trevor, On Sonic Art, York,		[Details]
	Imagineering Press, 1985

332. Wishart, Trevor, Audible Design,		[Details]
	Orpheus the Pantomime, York, 1997

333. Wrightson, K, 'An Introduction to Acoustic Ecology',		[Details]
	Journal of Electroacoustic Music, no. 12, 1999

334. Wrightson, K., 'An Introduction to Acoustic Ecology',		[Details]
	Soundscape, vol. 1, no. 1, 2000, pp. 10-13

335. Xenakis, Iannis, Musique, Architecture,		[Details]
	Casterman, Paris, 1971

336. Young, David, 'Composing Miniatures, Places, Festivals, David Young in Interview',		[Details]
	RealTime, 44, August-September, 2001, pp. 4-5

337. Young, G. et al., 'Musi-tecture: Seeking Useful Correlations Between Music and Architecture',		[Details]
	Leonardo Music Journal, vol. 3, 1993, pp. 39-43

338. Yuille, Jeremy, 'webspaces, synaesthesia & new media literacy',		[Details]
	Kairos, vol. 8, no. 1, 2002

339. Yuille, Jeremy, 'Smearing Discontinuity :: in-game sound',		[Details]
	DAC - Melbourne (Digital Arts and Culture Conference), 2003, http://hypertext.rmit.edu.au/dac/papers/Yuille.pdf

340. Zurbrugg, Nicholas (ed.), 'Electronic Arts In Australia',		[Details]
	Continuum, vol. 8, no. 1, 1994

Order by Author | Title | Year [ Ascending | Descending]

Search Bibliography

340 matches where no search criteria were supplied

Pages: 1

Published by The University of Melbourne
Comments, questions, corrections and additions: i.mott@unimelb.edu.au
Prepared by: Acknowledgements
Updated: 11 November 2004
http://barney.asap.unimelb.edu.au/asdp/scripts/ohrm-bib_search.php3?authtype=all&titletype=all
&typetext=+B

[ Australian Sound Design Project Home | Browse | Search ]