| 1. Bandt, Ros, 'Experimental Music',
| [Details] | | |
in Warren Bebbington (ed), Oxford Companion to Australian Music, 1997, pp. 206-9 | |
| |
| 2. Barambah, Maroochy and Ade Kukoyi, 'Protocols for the Use of Indigenous Cultural Material',
| [Details] | | |
in Fitzgerald, A., Fitzgerald, B., Cifuentes, C., and Cook, P. (eds), Going Digital 2000: Legal Issues for E-Commerce, Software and the Internet, Prospect Media, 2002, pp. 133-137 | |
| |
| 3. Benjamin, W., 'The Work of Art in the Age of Mechanical Reproduction',
| [Details] | | |
in Mast, G. & C. Marshall (ed), Film Theory & Criticism, Oxford University Press, New York, 1979, pp. 848-870. | |
| |
| 4. Brewster, M., 'Geneva By-Pass',
| [Details] | | |
in Martin, E. (ed), Architecture as a Translation of Music, 36-40 edn, Princeton Architectural Press, New York, 1994 | |
| |
| 5. Carter, Paul, 'Desire of Dialogue: Radio Writing and EnvironmentalSound',
| [Details] | | |
in Martin Thomas (ed), Uncertain Grounds: Essays Between Art & Nature, Art Gallery of NSW, Sydney, 1997, pp. 143-159 | |
| |
| 6. Coyle, Rebecca, 'Speaking Strine: Locating ‘Australia’ in Film Dialogue',
| [Details] | | |
in Brophy, P (ed), Cinesonic: Experiencing the Soundtrack, AFTRS, Sydney, 2000 | |
| |
| 7. Doane, M. A., 'The Voice in the Cinema: The articulation of body and space',
| [Details] | | |
in Weis, E. & J. Belton (ed), Film Sound, Columbia University Press, New York, 1985 | |
| |
| 8. Game, Ann, 'Time, Space, Memory with Reference to Bachelard',
| [Details] | | |
in Mike Featherstone, Scott Lash and Roland Robertson (eds), Global Modernities, Sage Publications, London, 1995, pp. 192-209 | |
| |
| 9. Gertsakis, Elizabeth, 'Nigel Helyer',
| [Details] | | |
in The Australian Bicentennial Perspecta, Art Gallery of New South Wales, 1987, pp. 36-43 | |
| |
| 10. Hayles, N.K., 'Embodied Virtuality: Or How To Put Bodies Back into the Picture',
| [Details] | | |
in Moser, M. & D. MacLeod (ed), Immersed in Technology, MIT Press, Cambridge, 1996, pp. 1-28 | |
| |
|
